Glenville’s Apartment By The Park

In her Glenville apartment building, Julie Ezelle-Patton cultivates a community of artists and preservers her mother’s legacy as a painter. But new development threatens it all.
Canvas City Limited Edition Print Portfolio
Own a piece of history FRONT is pleased to release a spectacular limited edition Print Portfolio of the mural designs for Canvas City, 2018. The Canvas City limited edition print portfolio is a set of six screenprints based on original mural proposals for An American City. These limited editions were commissioned especially for the inaugural exhibition. Murals […]
Underground Railroad sites exposed through lens of Chicago photographer Dawoud Bey in haunting new Art Institute exhibit

Dawoud Bey’s ‘Untitled #1 (Picket Fence and Farmhouse)’ (2017) PHOTO: DAWOUD BEY
Viewers can find ‘museum joy’ at Carnegie Museum of Art’s 57th Carnegie International in Pittsburgh

Alex Da Corte’s “Rubber Pencil Devil,” a neon-outlined house with a video projection screen inside, is one of the anchoring installations in the 57th Carnegie International, now on view at the Carnegie Museum of Art in Pittsburgh. Photo by Bryan Conley. Courtesy of the artist and Karma New York.
Cleveland Museum of Art hit record attendance in 2018, thanks to Kusama, FRONT and new programs
WSJ – ‘Dawoud Bey: Night Coming Tenderly, Black’ Review: Out of Darkness

Dawoud Bey’s ‘Untitled #1 (Picket Fence and Farmhouse)’ (2017) PHOTO: DAWOUD BEY
ARTISTS ‘I Ranged Far and Wide’: Dawoud Bey on Imagining the Paths of Fugitive Slaves

Dawoud Bey, Untitled #21 (Farmhouse and Picket Fence II), 2017. ©DAWOUD BEY
Interview: Peter Scott

Peter Scott, Untitled (Interior With Viewing Panel), 2018, ink-jet print on clear adhesive vinyl, 40 x 70 1/2″. Installation view, the Suburban, Milwaukee.
The artist, writer, and curator Peter Scott continues his manifold explorations of urbanism and its relationship to representation and perception, as most recently staged in his shows at the Emily Harvey Foundation and Magenta Plains gallery, as well as his curatorial projects at his nonprofit Carriage Trade. An exhibition of his newest work, “Future City,” a perplexing play on fiction and authenticity, is on view at the Suburban in Milwaukee through February 10, 2019.
I PARTICIPATED in Front International in Cleveland last summer, and its curator Michelle Grabner then invited me to do a show at the Suburban in Milwaukee. Given my interest in urbanism, locality, and media, the Suburban seemed like an ideal site to do a project in. I think the venue’s name refers in a sort of ironic way to the contemporary condition of urbanism, which is an increasingly homogeneous one. The building has both a picture window and a mansard roof. It’s a pastiche of architectural styles that also has the feel of a home, with shutters and a pitched roof.
The work that led to “Future City” was a series of photographs, included in my “Arcadias” show last spring at Magenta Plains, that document life-size banner ads showing rendered interiors at luxury-condo construction sites around New York. I cropped these images in a way that makes the fiction of the ad look more real than its surroundings. You can see glimpses of the construction sites in my pictures, but the frame is mostly filled with the illusion of the ad itself. This confusion between the real and the fake expressed
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Watch & Listen: THEME SONG FOR CLEVELAND AND AKRON now online
THEME SONG FOR CLEVELAND AND AKRON by Jonn Herschend and Silas Hite Because Cleveland can’t have too many theme songs…The “Theme Song for Cleveland and Akron” was commissioned by FRONT International for the 2018 Cleveland Triennial. Made in collaboration with the Rock and Roll Hall of Fame and the citizens of Northeast Ohio, the lyrics were […]